Title of the Exhibition:

Postmodern Art:

Illusive Lights

Date of Creation:
2016-2023
Genre:
Abstract Art, Portrait, Still Life, Animalism
Period Movement:
Postmodernism, Contemporary Art, Abstract Expressionism, Geometric Abstraction
Technique:
Sculpture, Painting
Materials:
Original digital artworks, Original drawings on paper, Paintings, Sculptures
Dimensions:
Variable


Exhibition Description:
This group of works of art is a free and playful exploration of the ultimate variety of forms, colors, emotions, and fears evoked by our times. This exhibition includes polychromatic paintings titled after musical compositions or melodic names. The artist is interested in the rarity of particular conditions, exceptional properties of materials, and the diverse talents of people who created taboos around different idols. The differently composed Ideas of rightfulness, wealth, and prosperity held the iron grasp of World Empires on the people's mindsets over the thousands of years of human civilization during the formation of intelligent life. According to history, all empires are examples of huge organizations unified by significant national ideas and languages. One must be aware of essential justices culturally commanding and unifying millions of empire inhabitants. Experience the lawfulness of beauty, the universal concept of harmony uniting millions. Many styles used by the artist mimic many languages of nations of our planet. The most noted here are "Fisherman's Dream," "The National Interests," and "Birth of Chaos." "Fisherman's Dream" is a beautiful abstract painting that incorporates colorful nets with near-ideal geometric forms, stripes, and circles. It uses warm colors with violet accents, significantly contributing to yellows. "The National Interests" is a red-hued painting of a map with brand-like symbols instead of cities depicting contemporary expansionism via brand culture. In "Birth of Chaos," artificial lighting bolts strike from the top of the gallery down to the floor in a highly magical interaction with the viewer. Influences: Walter de Maria, Ellsworth Kelly, Joan Miro. Own contribution: use of the rule of the halves in composition and strictness in color theory.